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    Black History Continued

    Within the early 1970’s, Toni Morrison and Middleton A. Harris, together with a crew of collectors, sought to mix pictures, artifacts and paperwork into one narrative that may someway seize the depth and breadth of what it has meant to be Black in America. Their grasp work, “The Black E book,” printed in 1974, included slave public sale notices and sheet music for work songs and freedom chants; transcripts from the trials of fugitive slaves; posters from Black Hollywood movies within the Thirties and ’40s; patents from Black inventors. The entries had been heartbreaking, amusing, stunning and provoking. Morrison knew then, as we now know, that we’re each dwelling within the historical past we’ve been handed and shaping the one we are going to hand off to future generations.

    Within the spirit of “The Black E book,” “Black Historical past, Continued” is a sequence that may discover pivotal moments and transformative figures in Black tradition. We imagine the story a part of Black Historical past is significant as a result of, like components in a periodic desk, every story is a constructing block of risk.

    Trying to the previous, the current and the longer term, we’ll be partaking writers, visible storytellers and our rising expertise crew to not simply inform huge tales, however to inform them in ways in which Morrison and Harris couldn’t have imagined after they had been sitting within the workplaces of Random Home placing collectively a guide. We’ll even be partnering with New York Occasions Stay for a number of occasions. Our undertaking didn’t begin on Feb. 1 and it gained’t finish on Feb. 28. Black Historical past Month is nearly over however “Black Historical past, Continued” is simply getting began. We hope you’ll go to us usually.

    — Veronica Chambers

    Edited by Veronica Chambers, Dodai Stewart, Adam Sternbergh, Marcelle Hopkins. Picture modifying by Amanda Webster. Designed and produced by Michael Beswetherick, Antonio de Luca, Ruru Kuo. Video analysis by Dahlia Kozlowsky. Picture illustration by Ruru Kuo. Extra help from Jeremy Allen, David Klopfenstein, Lauren Messman and Lauren Reddy.

    High Picture Credit: Larry C. Morris/The New York Occasions (Dancers on the Dom); Malin Fezehai/The New York Occasions (Nyouka Baugh); Walter Thompson Hernandez/The New York Occasions (Compton Cowboys); Brian Dawson for The New York Occasions (Leah Penniman); Justin Sullivan/Getty Photographs (Betty Reid Soskin); Mike Lien/The New York Occasions (Arthur Ashe); Chang W. Lee/The New York Occasions (Naomi Osaka); Related Press (Tommie Smith and John Carlos); Larry C. Morris/The New York Occasions (Muhammad Ali); Don Hogan Charles/The New York Occasions (Adam Clayton Powell); Tyrone Dukes/The New York Occasions (Shirley Chisholm); George Tames/The New York Occasions (Prayer Pilgrimage for Freedom, Harry Belafonte Jr.); Suzanne Plunkett/Related Press (Gordon Parks); Steve Schapiro/Corbis by way of Getty Photographs (James Baldwin); Sam Falk/The New York Occasions (Lena Horne); Erik Carter for The New York Occasions (Noname); Heather Sten for The New York Occasions (Jason Moran); Rahim Fortune for The New York Occasions (Erykah Badu); Chester Higgins, Jr./The New York Occasions (RUN D.M.C.); Eddie Hausner/The New York Occasions (Dr. Kenneth Clark); Gabriella Demczuk for The New York Occasions (Ta-Nehisi Coates); Emily Berl for The New York Occasions (Tracee Ellis Ross, Michelle Obama and Rob Finley); Andrew White for The New York Occasions (Michael B. Jordan, Denzel Washington); Justin T. Gellerson for The New York Occasions (Amy Sherald); William Sauro/The New York Occasions (Diana Sands at Harlem Cultural Competition); Andrea Mohin/The New York Occasions (Allen Sims, Linda Celeste Sims); Patrick Burns/The New York Occasions (Harlem Cultural Competition); Keith Beaty/Toronto Star, by way of Getty Photographs (Patrick Kelly); Carmen Mandato/Getty Photographs (Colin Kaepernick); Bettmann Archive/Getty Photographs (Ed Dwight, Cicely Tyson)

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